Oldest teenager in town and grandmother of Singlish.
Works in print and broadcast media. She has published books. She wrote Eh Goondu! and Lagi Goondu!.
She is a general nuisance. And sometimes a colonel one.
Sylvia Toh Paik Choo
Sylvia Toh Paik Choo
Oldest teenager in town and grandmother of Singlish.
Works in print and broadcast media. She has published books. She wrote Eh Goondu! and Lagi Goondu!.
She is a general nuisance. And sometimes a colonel one.
Sylvia Toh Paik Choo reminisces about how her love for concerts has evolved over time, especially with all the fuss about buying tickets for popular acts like Blackpink and Lady Gaga these days.
Sylvia Toh Paik Choo shares her a behind-the scenes look into being an extra, also known as a calefare, in Singapore’s production scene.
Sylvia Toh Paik Choo contemplates the many micro-seasons in Singapore beyond the traditional holiday seasons.
Sylvia Toh Paik Choo considers the different ways that Singaporeans are using their CDC vouchers.
Public holidays should be re-examined, says Sylvia Toh Paik Choo, who offloads her views on missing unique days for Singapore’s calendar.
Sylvia Toh Paik Choo tries out pottery as a new hobby, thanks to the Singapore Clay Festival.
It’s a sinister plot by mall designers and city planners, says Sylvia Toh Paik Choo who tries to understand their secret mission to keep us standing in public spaces.
Can we age gracefully? Sylvia Toh Paik Choo mulls on her transition between being ladies who lunch to ladies who lurch.
Sylvia Toh Paik Choo gives her satirical take on the modern travel while being caught in overtourism while on her first European vacation in years.
With the passing of Paul Cheong the music veteran, Sylvia Toh Paik Choo reminisces about Singapore music scene from the heydays of her youth.
Sylvia Toh contemplates how making friends has evolved through the ages.
Sky high praise often results in inflated egos for film directors (Scorsese, Spielberg, Tarantino to name a few) who take full advantage of their fame to subject viewers to long versions of otherwise short movies. The price of fame is often paid by the cinemagoer.
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